Outlined: The First Draft

First draft of the outline is DONE! Done done done done done.

Buffalo Writes - Book outlined printed up and on a table.

(I’d like to say “done” just one more time before the revisions start. Le sigh…)

Six pages in all its full glory. I’ve actually written up until about page 3 (over 45,000 words, at last count), so that was just outlining work I’d already done, with some tweaks along the way. Page 3 and onward is all new material: the roadblock that had been holding up the writing. Now the entire book is outlined, from start to finish. Actually, with TWO finishes — I currently have two possible endings for this sucker. Need to figure out which is the “right” one.

Some darlings have already had to be killed. For a long time , I envisioned this reclusive monk community making an appearance about 3/4 of the way through the story. They were crystal-clear in my head — what they wore, what they looked like, where they lived and why. I thought they added a good element to the story, a chance for the main characters to pause and reflect — an element that was otherwise lacking.

But then… as I was outlining, the monks started to feel out of place. There didn’t seem to be a great spot for them; they provided a pause, yes, but in doing so they slowed down the action at a crucial point. But damn it, I’d dreamed up these monks and they were going in there. So I jammed them in and they fit… sort of. A nagging itch at the back of my brain told me it just didn’t work. And when I got feedback from my outline group — yeah, they agreed. The monks had to go. It wasn’t even that hard of a decision. Seeing the entire story all laid out, it was pretty clear what belonged and what didn’t.

(And I have to say — I’m SO SO GLAD I figured that out now, rather than writing a bunch of monk scenes and only THEN figuring out they didn’t work. This outlining can be a drag, but it definitely is a timesaver in the long run.)

There are a few kinks that still need to be worked out — but that’s what revisions are for. The jigsaw puzzle is SO CLOSE to being put together. And after that, of course, I have to write the remaining 30,000 or so words… but I feel like progress is being made. And it feels damn good.

Outlining vs. Writing

This outlining thing, you guys. It’s interesting. You’ll remember (or maybe you won’t, whatever, NOT LIKE I CARE) that I’ve been meeting with two other writers in an effort to get “unstuck” in my current book. They strongly encouraged me to take a step back and focus on the outline. Now, I’ve never done a full outline before. Ever, for any piece I’ve written. I knew it would be hard work — I didn’t know what different work it would be.

Outlining with Scrivener - Laura Dedon Oxford at Buffalo Writes

I’ve been using a couple different tools. The first is Scrivener, which has a cool notecard feature that lets you move the cards around however you like. Perfect for outlining! The only problem I’ve found with notecard outlining is that, for me, it’s very linear — I feel like I have to have X card in place before I can jot down the scene for Y card. I’ve tried to get around this by putting in placeholder cards — ah yes, the infamous “Something” scene — but then my brain just keeps jumping back to that blank card, wondering, “What happens there?”

So, while Scrivener is great, what’s been working best for me is my old standby — writing by hand. And this is where the real differences between outlining and writing have become apparent. I write by hand all the time — I know what that feels like, the responses and outcomes — so it’s been easy to contrast to the process of outlining. 

Writing is instant gratification. You type, words appear. It can be slow going, yes, but you still can quickly and easily see the progress being made. Hell, there is even a way to quantify it — hello, word count!

Outlining is delayed gratification. You’re not really going to see the fruits of your labor until much, much later, until after the first draft is written and all the pieces have easily fallen into place. Which, while you’re doing it, makes it seem like a more frustrating process — “WHERE ARE MY RESULTS??” you want to scream.

Writing is action. It’s turning off the editor and just getting those words down on the page. At least, for me it is — when I’m really in the writing zone, I try not to think too much, because it can quickly turn into overthinking. I don’t want my internal editor saying, “Oooh, you know? That really isn’t all that good.” Not on the first draft. I just want to get those words down, keep the story moving.

Outlining is thinking. When I’m outlining by hand, it seems to activate different parts of the brain — I feel free to be much less linear, to just wander and circle and finally zone in on a solution. And sadly — there often aren’t a ton of physical results for this effort. I sat in the backyard the other night for almost two hours, outlining. And I felt really good about it — I had a couple great breakthroughs and felt that, all in all, it was a solid night’s work.

Then I looked back over my notes, and I had three scant pages of chicken scratch.

But! That doesn’t mean I failed (I mean, I don’t think it does, at any rate). It just means… well, outlining is turning out to be a much more internal process than writing. Which is odd, right, because writing is such an internal, solitary activity. But outlining is forcing me to go deeper, think harder, get totally and completely lost in my head. And there’s no real way to quantify that on a page. You just have to trust that in the end, it’ll be worth it.

(One aside? That belief that outlining takes the magic and surprise out of writing? I’m finding that not to be the case at all. I’m delighted by what I’ve discovered about my story while outlining — new plot points, new factoids about the characters. It still holds the same magic.)

I’m making progress. Soon I’ll be able to fill out those “Something” notecards. But until then, you can find me in the backyard, a vacant expression on my face as I mull over the endless possibilities.