Fun fact! I attend a writing group that meets once a month. Monthly deadlines are a useful weapon in combating sloth-like tendencies. It’s a rather ragamuffin group of experienced writers and amateurs, men and women, poets and prose writers. An odd mix, perhaps, but I find that mix provides interesting feedback.
I’m currently working on a story (book? novel?) that is proving to be MUCH longer than originally anticipated. Or perhaps more accurately — it’s taking me much longer to write than anticipated. Which is not necessarily a bad thing, but it is somewhat maddening when you’re in the middle of it, slouching towards Bethlehem.
Overall, I’m pretty shy about my writing — which translates to never letting people read it. Which, you know, doesn’t work if you’re a writer. Being in a writing group helps me get over that hangup since, you know, the whole point is to have other people read your work.
This means that my group has read my current work-in-progress, section by section, over the past…ugh, almost two years. I’m embarrassed to admit it’s been that long. They’ve been along on the journey, seen the plot develop, the characters come into their own. They’re seeing the guts of the beast, as it were.
Some writers are FIRM believers in the “closed door” policy. I’m calling it this based on Stephen King’s advice in On Writing:
Write with the door closed, rewrite with the door open.
The idea being that you need to get through the entire first draft — the initial creative process — without any input or adulteration from the outside world.
There’s merit there. I’m normally a fan of the “closed door” policy. You can let out the crazy and let that freak flag fly. In fact, this is the first book that I’ve allowed people to read as it’s being written.
And the result of my “open door” policy? Too early to tell. I can see how it would be distracting for some — if your story doesn’t have firm footing, having other writers chime in could probably sway your original intent. But it is useful to have someone point out a sticky plot point early on, the various inconsistencies that come with any first draft. I feel like I’m able to correct some things earlier on in the game. I guess the only way I’ll know for sure if this “open door” policy has worked out is after the whole damn thing is written.
Fellow writers — and, hey, other creative types, too, as I’m sure this applies — what’s your policy? Do you like that door open or shut? Do you think outsiders can derail the creative process, or is it guided by some internal source that can’t be swayed?